I can see where you're coming from, but I think that English would fall flat if it didn't have the techniques component. Wouldn't it just be an "identify" course? Identify these themes, identify links to context. Basically anyone in the state can do that, and, bar fluency and contextual depth, I think everyone would be writing basically the same essay. How many people didn't walk into Paper 2 knowing they'd write about humanity and/or nature and/or science for Frankenstein/Blade Runner.
I completely agree though, that little snippets of example shouldn't be construed as some whole hearted response to the intense blend of social, economic, political concerns of the time, and personally, I found myself never writing about "emotive language" or "simile" or "metaphor" because they were flimsy little aesthetic pieces of nothing that should go without saying. But I don't think anyone can deny the significance of say, Shelley's epistolary form, the chiastic structure, Scott's reliance on noir, etc. So (for me at least) to get rid of techniques completely would make it feel really incomplete. Also, now that the culture of memorisation has been established, I think it'll be really hard to get rid of. I would've memorised stuff anyway if we didn't have to care about techniques, and actually, I probably would've talked about techniques anyway too (but structural ones).
Although the techniques thing is as bad as it is, maybe it should just stay. I think Duchamp was right. Art's only half there. The other half is what the individual audience member brings to it. We'll never know what someone intended with some phrase that we can identify a technique in, but maybe that's the point. I enjoyed not knowing things, I enjoyed trying to figure them out. In any case, it's all over for us now, and although it was a bitch alot of the time, I don't think I would've had it any other way. I took alot out of it (and it was too fun complaining about English all the time). I'll miss it.
Also, Extension 1, though still a memorise-fest, was pretty cool. I used to think sci-fi was a bullshit joke, but now I kinda like it. (Regret not doing Ext. 2.) Memorising comes down to a time issue. Constructing good sentences means thinking, and thinking means taking time. BOS should totally do an Ext. 2 style thing (maybe not as intense) for Adv. (yes, for essays) because that way, people get to really exhibit their best writing abilities. How many first drafts are written in 40 mins? How many authors publish their first drafts? How the fuck can the Board of Fuck expect us to write something amazing in 40 mins!?
(Plagiarism is quite easily discovered, isn't it?)