I often take the direction that the composers explore "The Wild" in their texts as a response to their own contexts; so it would be the values of the composers but the composer has written it for the values of the responder too..
Example: BNW
The World State (Totalitarian Government)/lack of individuality etc.., Techniques: Satire, "Lenin"a, Bernard "marx", Hypnopeadic phrases. Effect: shows Humanity "In the wild" be considering values of responder; fear of totalitarian governments in Europe: Italy/Germany for example were apparently (don't say apparently in the exam but I do not like history at all and have to rely on what I read around here
, don't know if it's 100% true) concerns for responder .
Example: BR
Nature is absent but still valued, technique: "Is that a real snake?" "Do you think I'd be working in a place like this if I could afford a real snake?" Effect: A good comparison between BR/BNW showing that although there is a similar theme of humanity's disconnection with nature, in BR it is used to reflect the values of an 80s responder (Concerns about the destruction of nature/Pollution etc..) while in BNW it reflects 30s (Technological developments>marginalisation of Nature_
I don't know. Basically, consider that each text explore similar
themes, but why and how they do this is built upon the
values of the contexts each text were written in.