VonDavis said:
This is my intro .... any constructive critcism/feedback welcomed?
Yeah, I'm pretty sure 'contradictoriness' isn't a word.
'unambiguous' is spelt as one word without the hyphen.
I don't think you should introduce examples from Hamlet etc at the beginning as you're just confusing yourself. Stick to the parameters you've set out.
If you're talking about amorality and immorality, you need to explain the difference between the two concepts and show that you understand the significance of the distinction.
'The moral thinking of the audience was done for it by the director.' <-- done for them, not it. And I think that sentence is kind of clumsy.
In fact, I think your structure is kind of clumsy. It's not terrible or anything, but I think it would be so much easier to follow your train of thought of it if you left an extra line between paragraphs. Simple, yeah, but it makes it so much more obvious that you're trying to establish a thought.
Honestly, I dislike terms like "this paper" and just addressing yourself directly, I think you should be able to tell them what you're addressing without breaking the fourth wall so to speak.
"This paper has chosen to analysis film fiction because of its significant influence on the general public’s vision of the world." To be honest, this doesn't make sense. I understand what you're trying to say, but you're saying it in a grammatically incorrect way. An EE2 student shouldn't do that. Also, I just think it's phrased simplistically anyhow.
Are you planning to read Hannibal, out of interest? Because they changed the ending significantly and also there's some stuff that they obviously didn't put in, about his childhood and all that. Personally I think the book shits all over the film, and so do 99.9999999% of people who've seen the movie and read the book. So I guess maybe you could reference things like how the limitations of mainstream cinema means that ideas of good and evil become simplified by default. For example, in the book, is Clarice still 'good' if she runs off with Lecter? Is he still 'evil' if he has the capacity to love her? That idea would probably be too much for commercial audiences to bear in the eyes of the director.
(Although Scott has definitely raised ideas about goodness and all that before, like in Blade Runner, so I'd suggest researching their motivation for changing the ending of Hannibal if you haven't already).
Hope this helps.