PhoenixBurd
New Member
Hey guys, I'm currently undertaking my Honours year in film studies and thought that it would be great to get some opinions from other people.
Very very basically, I am contrasting two of the Harry Potter films: HP and the Philosopher's Stone, dir. Christopher Columbus, with HP and the Prisoner of Azkaban, dir. Alfonso Cuaron.
My focus is on the concept of embodied affect. In other words, the ways in which films place you in and around a moment of experience/visual curiosity, unique to cinema. One of the best contemporary examples I have is the plastic bag scene in American Beauty. You know it. I know that some people don't take it seriously, but it is indeed a very affective scene. The cinematic techniques all work together with such rhythm that the movements of the plastic bag move through you, and you're experiencing embodied affect. I won't try and describe this any further, but you get the general understanding...
In my opinion, I feel that Cuaron works with space so much more effectively in PoA, example: how he portrays Hagrid's Hut. Showing it's context within the rest of Hogwarts vs. Columbus, who only uses an establishing shot of the hut, and then uses mostly close-ups of the characters, with a focus on the narrative components, over the 'feel' of the world. Alfonso places you into the world of Hogwarts in a n abstract way very unlike Columbus, by using space. (I realise this is example is not fully developed, but it gives you the general idea.)
So what I'd like to ask, is how you would contrast the two films. Thinking about what things do you feel were successful in each film? Would you agree that Cuaron's film has more affective qualities than Columbus' film? How does each film make you feel? Would you say that Columbus' focus is the translation of narrative, and maintaining fidelity with the books?... lots to think about!
I would love to hear your thoughts! If you're a Harry Potter fan or not, all opinions are relevant!
Very very basically, I am contrasting two of the Harry Potter films: HP and the Philosopher's Stone, dir. Christopher Columbus, with HP and the Prisoner of Azkaban, dir. Alfonso Cuaron.
My focus is on the concept of embodied affect. In other words, the ways in which films place you in and around a moment of experience/visual curiosity, unique to cinema. One of the best contemporary examples I have is the plastic bag scene in American Beauty. You know it. I know that some people don't take it seriously, but it is indeed a very affective scene. The cinematic techniques all work together with such rhythm that the movements of the plastic bag move through you, and you're experiencing embodied affect. I won't try and describe this any further, but you get the general understanding...
In my opinion, I feel that Cuaron works with space so much more effectively in PoA, example: how he portrays Hagrid's Hut. Showing it's context within the rest of Hogwarts vs. Columbus, who only uses an establishing shot of the hut, and then uses mostly close-ups of the characters, with a focus on the narrative components, over the 'feel' of the world. Alfonso places you into the world of Hogwarts in a n abstract way very unlike Columbus, by using space. (I realise this is example is not fully developed, but it gives you the general idea.)
So what I'd like to ask, is how you would contrast the two films. Thinking about what things do you feel were successful in each film? Would you agree that Cuaron's film has more affective qualities than Columbus' film? How does each film make you feel? Would you say that Columbus' focus is the translation of narrative, and maintaining fidelity with the books?... lots to think about!
I would love to hear your thoughts! If you're a Harry Potter fan or not, all opinions are relevant!