DigitalFortress
Member
its called "Itunes Music Store" %D
too right. i wouldn't have even heard about half of the shit I listen to without the net. U certainly don't find everything on triple M or video hits.hiphophorray123 said:internet is a GREAT tool to start a person career and get their name out there.
I fuckin' love music piracy. Ahem.urf said:Does anyone else HATE music piracy? I think that if someone wants a cd they should buy it as to support the time and effort these singers/bands have put towards writing and performing these songs. (also dont bother mentioning that some singers dont write their own music, someone has to write it and whether it is the performer or not, the writer will get some part of the profits)
I feel that of you want to listen to an album, you should support the performer.
What do other people think about the topic?
It's Ulrich.AtticusFinch said:the thread starter should be deported along with all his family and friends and be forced to live on an island with lars olerik
I think it is the answer. Do you have a better suggestion/solution? I bet not.urf said:I agree that cds are a rip-off but I also dont think that piracy is the answer.
Exactly, why the hell would you spend 15-30 dollars on one album when you can get it for free. Seriously, regardless of how much you love the band, buying their albums would do more harm to you than good to them.bazookajoe said:Wow I bet you are. Because you're not going to change anyones opinion on the matter.
Piracy is the answer. CDs are a fuckin' rip.
Hans Zimmer...ur_inner_child said:being a music writer (and before you throw stones, its my degree major...) i'm a downloader and burner,
but
what enrages me more is that people can go "oh that gladiator soundtrack was beautiful" but won't know who it was by.
That enrages me so much....
Compilations are the biggest rip-offs.miss_gtr said:i'll buy it if i respect the artist (like aussie artists) or its a compilation cd...or its a cheapo mix... greatest hits of bob dylan, great hits of the 89s etc..
piracy does help artists imo, if my mate goes to me oh i gotta cd the other day its really good, i might say oh burn it for me, then i listen to it, which i wouldnt have done with out piracy, then if i like it i go to concerts, buy merch including cds, thats sales they wouldnt have made if my mate didnt burn the cd in the first place.urf said:So what do you suggest? Regardless of how much everyone likes piracy it is not going to make the artists any money, and I dont really think that concerts are enough, especially for new bands. So what does everyone think should happen?
I think i made a similar post to slip's one, so basically:urf said:So what do you suggest? Regardless of how much everyone likes piracy it is not going to make the artists any money, and I dont really think that concerts are enough, especially for new bands. So what does everyone think should happen?
I'm interested in the new format, ala digital, of music production, because CDs are on the way out, MP3 players are in their prime, but the development of SACD and DVDA seems to appeal to the high-end markets. The source of most mp3's are from self ripped CD's, but if the current trend of pay2listen continues, and the phasing out of CDs in favour of purely digital is brought about, the music companies may be able to put a stranglehold on it again, but would lose quite a bit of profit before making it back id assume.slip said:This is my prediction for the future of music in australia. remember you heard it here first.
Over the next 10-15years a smarter breed of bands will be born who will follow in the footsteps of bands like the John Butler Trio and basically become self-sufficient. They will cut the record company out of the loop. So basically these bands will look to fund the production of albums themselves, hence they will recieve both what was formerly the record companies portion of the money from sales and the money they would formerly recieve. Aside from that bands will operate fairly much as usually. This will probably mean that 1st albums wont go straight to number one, as the albums gain popularity sales will increase over time. Some bands might also look to sell songs or 'singles' straight off websites, cutting the record shops out of the process and further increasing the money they recieve.
dotn forget 30 dollars wasted maybeiamsickofyear12 said:It's more about the effort to get the album/single than actually paying the money. I can download a song in less than 5 minutes. To buy it I would have to drive 25 minutes, buy it, then drive another 25 minutes home.
urf said:Does anyone else HATE music piracy? I think that if someone wants a cd they should buy it as to support the time and effort these singers/bands have put towards writing and performing these songs. (also dont bother mentioning that some singers dont write their own music, someone has to write it and whether it is the performer or not, the writer will get some part of the profits)
I feel that of you want to listen to an album, you should support the performer.
What do other people think about the topic?
how do dirt cheap cd's do it? they're $10. do they go under the theory that people would profit that way, or is it something entirely differentAsyLum said:I think i made a similar post to slip's one, so basically:
CD breakdown
$30
> ~$27 goes to production costs, manufacturing, media, advertising.
> ~$3 goes to the band.
Out of this $3 comes out any money which was not recouped in the making of the CD and other excesses.
Thats why bands 'sell out'. There is a contract, and why there is a need to balance sales with the hardcore fans.
Concerts on the otherhand, usually are run at a profit, because it is directly negotiated with the band, rather than the record company, the biggest profit from bands is through merchandise and ticket sales.
Now, new bands are NOT going to make a killing out of CD's, furthermore i think it would be idealistic to think that most recording companies would entitle many new bands more than that $3 of the costs.
On the other hand, there is a new band, you spread the music via a medium which is popular, just like radio and tv are, and then you arouse interest in the band.
Whilst piracy isnt 'legal' the biggest losers are the record industry, and that is why they are fighting toot-and-nail to stop it legally. Furthermore, the arrival of digital has been the biggest change to this notion. Prior to digital, recordings and bootlegs and pirates could only obtain a degrading quality of music, but with the digital format, there is no detioration from copying 1:1.