[/FONT] This object is what is known as a funerary cone, and is numbered 21002619 by the Macquarie Museum of Ancient Cultures.
[FONT="][1][/FONT] These objects are dubbed as funerary cones because they are usually conical, and appear as part of funerary ceremony.
[FONT="][2][/FONT] A quite extensive collection has been formed of these cones, which consists of around 600 examples.
[FONT="][3][/FONT] The majority of these examples are similar to the above artefact, although some rectangular and square funerary cones have been found, as have different sizes, materials, placements, and inscriptions,
[FONT="][4][/FONT] which has lead to a number of attempts to typologise and categorise the cones.
[FONT="][5][/FONT] This type of cone, with the long, fluted shape, the three registers of text, and impressioned-detail is what is called a “Circular stamped name cone”.
[FONT="][6][/FONT] This is because it bears a simple title and name of the owner, “king’s son of the Kush | Merimose”,
[FONT="][7][/FONT] which has seemed to be stamped into the cone.
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[FONT="][1][/FONT] Museum of Ancient Cultures, Terracotta Cone, “Description”.
[FONT="][2][/FONT] N de G Davies, MFL Macadam, et.al., A corpus of inscribed Egyptian Funerary Cones, (Oxford; Oxford University Press), p.ii.
[FONT="][3][/FONT] S D'Auria, et.al., Mummies&Magic: The funerary arts of ancient Egypt, (Boston; Museum of Fine Arts, 1988), p.148.
[FONT="][4][/FONT] Davies, corpus, p.3.
[FONT="][5][/FONT] Davies, corpus; and Reeves and Ryan, “Inscribed Egyptian Funerary Cones In Situ: An Early Observation by Hentry Salt”, Varia Aegyptiaca, vol.3, 1987, pp.47-49.
[FONT="][6][/FONT] HM Stewart, Egyptian Stelae, Reliefs and Paintings from the Petrie Collection. Part 1: The New Kingdom, (Warminster; Aris & Phillips, 1976), pp.24-80.
[FONT="][7][/FONT] Museum of Ancient Cultures, Terracotta Cone, “Description”.