JoeysBoy
Member
Hello! This is coming from a student making observations of various teachers. I'm not a teacher myself, so I don't know if what I'm saying is actually wrong or not.
I've just wanted to make a thread for new teachers (including me... maybe)... what and what not, generally, to do, even though the best method of learning how to teach is through experience. A lot of people miss out on the key points of making a GOOD teacher (I've noticed a lot throughout kindy to Year 12) and what points make a BAD teacher.
I'd say the best point to make a good teacher is to help their students to really get stuck into their instruments, motivating them to actually do some practice. No technique building in the lesson is useful by a LONG shot if the student has mediocre feelings about the whole thing.
The best teacher that has done this for me has given me the "blossoming flower" (shes a hippy female teacher... SO cool...) analogy. I've started late (Year 10) playing Cello, and consequently felt a little behind all the guys that I met in a big school combined orchestra (happened in sept last year)... not to mention all the students I met at the Newcastle Con (Their Cello ensemble ROCKS!) She helped me understand that if I "stuck at it" (I hate that expression but neway..) I would in her words "blossom".
I think that you really have to be understand a student's emotions to really be able to relate to them well. You can't just work through the text... If they are ambitious and want to succeed, throw them in the deep end (i.e. introduce them to orchestras, ensembles, etc.). If they are shy about it, throw them in the medium depth area slowly, exposing them to what the instrument can do, etc. As they get pumped up about it, start exposing them to the deepend.
So many people at my school HATE music because they KNOW they sound crap, have a lot of peer pressure to hate it and they don't get excited with music. (Note that all year 7 and 8 have to learn an instrument) . I joined the Senior strings 4 months after I started playing... and basically ruined the ensemble because I was SO out of tune and couldn't play for crap. I learnt quickly and got a lot better, but that was because I was excited with what the instrument could do. I was excited with the instrument because I had been exposed to magic performances, including live ones (Live is SO much better... especially when you get to meet the performer) And also my music elective teacher was just so cool... Yeah Mr. Dunn, thats you Another way of relating them to their instrumnt to you and back to them (lol... if that makes sense) is by actually getting your own instrument out and jamming with em... It just makes explaining a lot easier when a teacher actually DOES it for me instead of via word of mouth.
Going back to two paragraphs, if the excited person starts to lose motivation, remind them that you too struggled and that you too are human (with a lot of my former techers, I found that they had an arrogance about them), trying to be as much a friend as you can be. Don't act as though you know everything, ignoring the fact that you're their teacher. My old trumpet teacher (I stopped trumpet in year 8...) always spoke to me about his wartime experiences (he is a wwII veteran), and made me love him for it... even though I didn't do any practice Maybe I was too young to really go for broke...
Also be patient! My present teacher told me that if I didn't "get" what she was trying to convey, it was bascally her fault. I LOVED HER FOR THIS!!!!1111ONE11!!! SO MANY TIMES I have felt I was the villian because I didn't understand wtf my teacher was trying to tell me, even though it may have been the simplest of techniques. She uses a SHIT load of analogies to explain stuff... often quite humerous (which you have a better change of remembering) She also tells me about her troubles... very similiar to what obstacles I have today, always relating it indirectly or directly to what we're doing at the moment... i.e. talking to me about a Cellist she studies under that she really related to and was able to convey the information accross VERY effectively, using various teaching techniques. Ironic huh
Also DON'T make the student play a piece they HATE . Take the hint, especially if they're shy and can't tell you directly. *Grumbles about HSC pieces...* (chosen by another teacher at my school... not the godly one... long story...)
And I know its obvious, but the good teachers I've had have never told me I sound like shit. DON'T do it. It'll kill a student's dignity and motivation. Help them to build the best sound they can, NOT how to stop making that cat-choir sound (lol@scots for their bagpipes ) Optimism vs Pesimism. My mother personally finds the pesimistic side of things more appealing. She then wonders why I don't want to play/perform infront of her (bad memories...)
I maybe a little biased towards my present teacher as she's a head of her section at a con, though all in all, I find her a great teacher to work "with" (NOT for...)
Please discuss! Sorry this post has been a shamble... its basically come out of my head without any thought or planning.
I've just wanted to make a thread for new teachers (including me... maybe)... what and what not, generally, to do, even though the best method of learning how to teach is through experience. A lot of people miss out on the key points of making a GOOD teacher (I've noticed a lot throughout kindy to Year 12) and what points make a BAD teacher.
I'd say the best point to make a good teacher is to help their students to really get stuck into their instruments, motivating them to actually do some practice. No technique building in the lesson is useful by a LONG shot if the student has mediocre feelings about the whole thing.
The best teacher that has done this for me has given me the "blossoming flower" (shes a hippy female teacher... SO cool...) analogy. I've started late (Year 10) playing Cello, and consequently felt a little behind all the guys that I met in a big school combined orchestra (happened in sept last year)... not to mention all the students I met at the Newcastle Con (Their Cello ensemble ROCKS!) She helped me understand that if I "stuck at it" (I hate that expression but neway..) I would in her words "blossom".
I think that you really have to be understand a student's emotions to really be able to relate to them well. You can't just work through the text... If they are ambitious and want to succeed, throw them in the deep end (i.e. introduce them to orchestras, ensembles, etc.). If they are shy about it, throw them in the medium depth area slowly, exposing them to what the instrument can do, etc. As they get pumped up about it, start exposing them to the deepend.
So many people at my school HATE music because they KNOW they sound crap, have a lot of peer pressure to hate it and they don't get excited with music. (Note that all year 7 and 8 have to learn an instrument) . I joined the Senior strings 4 months after I started playing... and basically ruined the ensemble because I was SO out of tune and couldn't play for crap. I learnt quickly and got a lot better, but that was because I was excited with what the instrument could do. I was excited with the instrument because I had been exposed to magic performances, including live ones (Live is SO much better... especially when you get to meet the performer) And also my music elective teacher was just so cool... Yeah Mr. Dunn, thats you Another way of relating them to their instrumnt to you and back to them (lol... if that makes sense) is by actually getting your own instrument out and jamming with em... It just makes explaining a lot easier when a teacher actually DOES it for me instead of via word of mouth.
Going back to two paragraphs, if the excited person starts to lose motivation, remind them that you too struggled and that you too are human (with a lot of my former techers, I found that they had an arrogance about them), trying to be as much a friend as you can be. Don't act as though you know everything, ignoring the fact that you're their teacher. My old trumpet teacher (I stopped trumpet in year 8...) always spoke to me about his wartime experiences (he is a wwII veteran), and made me love him for it... even though I didn't do any practice Maybe I was too young to really go for broke...
Also be patient! My present teacher told me that if I didn't "get" what she was trying to convey, it was bascally her fault. I LOVED HER FOR THIS!!!!1111ONE11!!! SO MANY TIMES I have felt I was the villian because I didn't understand wtf my teacher was trying to tell me, even though it may have been the simplest of techniques. She uses a SHIT load of analogies to explain stuff... often quite humerous (which you have a better change of remembering) She also tells me about her troubles... very similiar to what obstacles I have today, always relating it indirectly or directly to what we're doing at the moment... i.e. talking to me about a Cellist she studies under that she really related to and was able to convey the information accross VERY effectively, using various teaching techniques. Ironic huh
Also DON'T make the student play a piece they HATE . Take the hint, especially if they're shy and can't tell you directly. *Grumbles about HSC pieces...* (chosen by another teacher at my school... not the godly one... long story...)
And I know its obvious, but the good teachers I've had have never told me I sound like shit. DON'T do it. It'll kill a student's dignity and motivation. Help them to build the best sound they can, NOT how to stop making that cat-choir sound (lol@scots for their bagpipes ) Optimism vs Pesimism. My mother personally finds the pesimistic side of things more appealing. She then wonders why I don't want to play/perform infront of her (bad memories...)
I maybe a little biased towards my present teacher as she's a head of her section at a con, though all in all, I find her a great teacher to work "with" (NOT for...)
Please discuss! Sorry this post has been a shamble... its basically come out of my head without any thought or planning.
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